EXHIBITIONS

They bow. Curtain. No applause., (wayfinding), 2017
Glazed stoneware, powder coated steel and fixings
Dimensions variable

They bow. Curtain. No applause. (interpretation), 2017
Letterpress print on paper, Twergi newspaper support and hemp rope
Page size: 600x400mm

LEFT: A storm (atmosphere), 2017
Double sided 12” dubplate of a Foley performance, stereo
Side A 00:11:42 Side B 00:11:35 Total duration: 00.22.77

Performed by Richard Hinton, Brian Moseley, Shelley Stott and David Yapp at Bristol Old Vic on on 15 March 2017. Recorded by Tom Hobbs. Mixed by Brian Moseley

CENTRE: Superstudio, Passiflora, 1968
Laser-cut and heat-formed Perspex
300x410x290mm 

FOREGROUND: Untitled, 2016
100% wool woven kelim
Dimensions 2400x1800mm

LEFT: The colour of two year old white emulsion (furniture), 2017
Powder coated mild steel, casters, physiotherapy foam rollers and oil stained plywood
Dimensions 1396 x 948 x 440 mm

RIGHT: The colour of two year old white emulsion (support), 2017
Conservation grade plastic containers, dolly and mdf

Evan Calder Williams
lightend & then thondre / snowed & rayne, 2017
Letterpress print on paper
4pp. 200x160mm
ISBN 978-0-9574490-5-3
QTY 3000

FULL TEXT

Printed by Letterpress Collective, Bristol, 2017

THE ANTI-CLIMAX CLIMAX, 2011
Text by Cally Spooner performed by Giles Round 2017
Matt emulsion
Dimensions variable

Maria Loboda
Witch’s ladder, 2014
Sisal rope, Lady Amherst pheasant feathers
Dimensions variable

Display & Brightness, Night Shift (lighting), 2017
Powder coated mild steel, ERCO track lighting, rigging
Dimensions variable

The scene, seen from the side, acid bright raking light, cracks (build), 2017
Anodised aluminium chain screen, steel, rigging
Dimensions 4000x3000mm